One of the most fascinating archeological finds in Russia has been the discovery of hundreds of "birchbark documents" (messages written on the bark of birch trees with a sharp stylus) that were created from the 11th to the 15th century.
The birchbark documents of Novgorod are a major source for information about life in Medieval Novgorod because they are not the writings of church theologians or political leaders, but rather, personal messages, IOUs, love letters, shopping lists, and so on. One of the most fascinating items, in my mind, is a collection of children's drawings that have been unearthed.
Children's drawings in the Middle Ages?! Even if such things were created in period, how could they have survived to the present day? After all, finger paints, magic markers, and crayons were not yet in use, paper was far too valuable of a commodity to waste on children, and refrigerator doors were unavailable for the display of Junior's artistic genius. Most of the products of childhood inspiration probably were expressed on the ephemeral canvas of dirt or sand.
But birchbark was a different story. The bark was widely available (although there are indications that excessive use of the medium caused a decline in the local birch population) and easily cultivated. Anyone could use it. When one was finished with the message, it was simply thrown into the mud, where the presence of water and clay created an unusually bacteria-free environment which preserved the documents. So, we have the ideal medium: cheap, easy to come by, and (thanks to unique geology) preserved for hundreds of years.
The drawings from Novgorod that we have found appear to all
come from a Russian boy named Onfim, who lived at the end of the
twelfth century or beginning of the thirteenth century in the
city of Novgorod. By the estimate of the archaeologists who
unearthed his works, he was around seven years old at the time
that he made these drawings.
Fantasies of becoming a mighty warrior were not the only things
that Onfim thought up though. In another example, he took the
piece of bark that he was practicing on (left), turned it over
(right), and drew a picture of himself disguised as a wild beast
(which he identified by writing "I am a wild beast" [Ia
zver'] over it). The beast, with its long tongue (or fiery
breath), is apparently still a friendly beast as it is carrying a
sign that reads "Greetings from Onfim to Danilo" [Poklon ot
Onfima ko Danile]. Danilo (i.e., Daniel) was probably a
friend, perhaps even a schoolmate sitting next to Onfim.
Onfim liked to draw people and while his artistic aptitude
may have been lacking, he was prolific. In the picture on the
left, he draws his mother and father. In the picture on the
right, he draws two children playing around a tree (one of them
is hidden behind the tree).
More people!!
In these two examples, we see Onfim drawing battle scenes.
This is my Dad! He is a warrior. When I grow up, I want to be a
warrior just like him!
This text is based on an earlier article I did for Tournaments Illuminated #116 (Fall 1995). My sources included:
Artsikhovskii, A. V. "Berestianye gramoty mal'chika Onfima," Sovetskaia arkheologiia, 1957, #3, pp. 215-223.
Artsikhovskii, A. V. and V. I. Borkovskii, Novgorodskie gramoty na bereste (Vol V: 1956-1957). Moscow: Izdatel'stvo akademii nauk SSSR, 1963.
Ianin, V. L. "Novgorod Birchbark Letters," in Anthropology and Archeology of Eurasia 35: 4: 14-41.
Yanine, Valentin L. "The Dig at Novgorod," in Readings in Russian Civilization, Vol I, Thomas Riha, ed. (Chicago: University of Chicago Press, 1964), pp. 47-59.